Showing posts with label Awards. Show all posts
Showing posts with label Awards. Show all posts

Sunday, April 13, 2014

Let's Talk Nebraska

Last weekend, the hubby and I rented the Oscar-nominated film Nebraska. I'd seen a little bit about it before Oscar season broke out into full swing. I decided I really wanted to watch it for a couple of reasons: 1) I like just about everything director Alexander Payne has put out there (Hello? Sideways or About Schmidt, anyone!), 2) I'm from the Midwest, from a town very similar to the one depicted in Nebraska (only smaller, if you can imagine that) and I went to college in Nebraska, and 3) I just don't think the modern-day Midwest gets highlighted enough in films.

When I first heard about the film, it was being discussed among a group of friends. One woman in the group, who spent a majority of her life living in the actual state of Nebraska, vehemently denounced the movie altogether. She had no intention of ever seeing the film. At first, I thought it might be because of the film rating (R, for language), but then after watching Nebraska I think it was for a more specific reason. I think she viewed Nebraska as akin to the Holy Land with only hard-working saints living there. In other words, she believed that Nebraska would be portrayed poorly.

Not so, my friends!

I'd have to say I loved every minute of it because, in my opinion, Payne hit the nail on the head when it comes to families such as the one portrayed in Nebraska. Payne, himself, is from Nebraska, so who better to do the storyline justice than he.

Here's a little rundown on what goes on in the film:

Woody Grant, an aging alcoholic and perhaps suffering from early Alzheimer's, sets out almost weekly to claim his million dollars waiting for him in Lincoln, Nebraska. Only problems are that he can't drive and he lives in Montana. To appease his father, even though he knows the "sweepstakes" is a scam, Woody's estranged son David agrees to drive him down to Lincoln. Along the way, they get caught up with family in Hawthorne, Nebraska, where David learns more about his father than in all the years when he was growing up.

It's a sad, yet bittersweet story about family. Watching it, you realize that there were so many problems lying just below the surface of this family, waiting to come to light when the time was right. Woody's a man with long-suppressed demons, but it's David's connection to his father that twists, turns, and in the end grows into a final act of love. Even if it only means taking a drive down the center of town. Holding a lifelong grudge because someone is unwilling to sacrifice for you, only hurts you. Letting go and finally sacrificing for that other individual without accepting payment in return is sometimes the one thing you have to do. This is what David comes to realize about his father.

You may have watched Nebraska and all the while were asking yourself, "Do people really live and act like this?" The short answer is yes. Let me point out a few things about Woody and David's family that was readily recognizable with my own:

Woody and David searching for that "borrowed" tool.

  • Old men really do sit around talking about random things, like a car one of them owned once upon a time. I've been to those family reunions and have heard those conversations. And I've been down to the local diner/convenience store, which is filled with old men discussing the most random things.
  • There is the occasional relative who likes to sit alongside the road in the evenings and watch none of the traffic that goes by. Ours was, and still is, the front porch for our family. Usually while shelling peas or pitting cherries. Believe me, not much happens on my parents' street back home.
  • People really do go and pay respects in cemeteries even if no one has recently died. It's just what you do. I still do it when I go back for a visit. We'll be driving down a country road somewhere and my mother will say, "Do you know so-and-so is buried there? Let's stop by." And the next thing I know I'm standing over the grave of some unknown great aunt I never knew I had. My mother tells me her life story and introduces us like it's about time we met, probably hoping we could have coffee and bologna and butter sandwiches with the lady.
  • There's always a black sheep in the family, and that black sheep still usually lives at home (or thereabouts) and everyone acts like the sexual assault/robbery/drug bust never happened. Although, I must say my mother has warned us over the years of who to steer clear.
  • Everyone pretty much drives an American-made car. Here's why: Where I grew up, the only local dealerships were Ford and GM. If you wanted any other type of vehicle you had to go to the city, sixty miles away. No local mechanic really worked on foreign cars, so if your city-bought car broke down, guess how far you'd have to drive to get it fixed?
  • Finally, you'd be surprised at the brazenness of neighbors if you weren't used to it. The guy across the street could borrow your lawnmower, never return it, and he'd still come over all the time to talk to you. It goes the other way, too. Vegetables tend to get left quite often on doorsteps. It's like Mayday all summer long. I should know. My parents are one of those neighborly donators. 
Like anyplace in America, the Midwest has stories to tell, and they can be pretty darn good at times. I recommend seeing Nebraska if you haven't already. It's a simple storyline, but a very telling and touching one.

P.S. It really is in black and white.


✿   ❀   ✿   ❀   ✿

On another note, we just wanted to announce that for the third year in a row The Writing Sisterhood has received first place in the New Mexico Press Women Awards for best informational blog in the state of New Mexico! We're thrilled to have this award! If you'd like to check out any of the winning entries, feel free to do so:

Tuesday, September 20, 2011

Congratulations Sister Lorena!


The Sisterhood is happy to announce, and congratulate, our Sister Lorena Hughes for being one of the winners at the recent Annual SouthWest Writers Writing Contest.
Sister Lorena’s novel “The Black Letter “ was awarded First Place in the Historical Novel Category.

May this be the first of many awards!

Monday, January 17, 2011

The Controversial World of Slang

Huh??
Being a historical writer certainly comes with its challenges. I'd say one of the more interesting and, often times, more fascinating aspects is the use of slang. If you're a more contemporary writer, or one of those who delves into Fantasy, Science-Fiction or other-worldy genres then you might not feel the need for believable slang in your writing. But for me, it's essential.

When I wrote my first novel, which takes place during the mid-1800s, the first major roadblock I ran into was that my dialogue was just not convincing enough. "Why would a slave speak like an everyday, ordinary human being?" one critiquer asked. And you know what? That particular critique was spot on. I had written flat characters onto the page, simply because I had ignored the speech patterns of each individual character. And I had avoided the lingo of the time period.

Among the three time periods I've tackled (1850s, 1920s, and 1940s) I'd say the one that takes place in the 1850s was the hardest for which to research the slang. Why, you may ask? Because it's not as easy to trace slang when no one today was alive during that time period (let alone really speak it since most of it is viewed as derogatory). Yes, it gets passed down and we find certain references in other literary works, but writing styles during the 1800s were quite unlike the writing styles we find today. Those writers may not have followed the slew of rules that bog down the more modern tippy typers, but a majority of literature one reads in a World Lit class, American Lit class, European Lit class, etc. was written by highly educated individuals (or incredibly detailed individuals). Now, I'm not saying that writers today aren't a wonderfully educated bunch, but the difference lies in the fact that colloquial speech is much more acceptable this day and age. But that also depends on the words one chooses to use.

When contemplating the use of slang in your manuscript there are a few things to keep in mind:

  • First, take a look at your genre. Some genres (like sci-fi and fantasy) don't necessarily require the use of slang. In actuality, it might even age your writing. If you're using today's slang, then five, ten, twenty years from now, readers are going to see that what you wrote has become outdated (just take a look at some of those sci-fi movies from the eighties). There are a few exceptions, like with Steampunk, where history is mixed in, therefore the use of slang would actually add to your story.
  • Secondly, don't overuse it. Slang is good in small portions. If you decide to go back and infuse your manuscript with this element, make sure you aren't writing large portions of dialogue or prose that get bogged down with slang. This just makes your writing ridiculous. Just like with any other element you decide to use (flashbacks, multiple POVs, the "to be"verb, etc.) keep it to a minimum. You don't want to draw unwelcomed attention to your writing -- you want that writing to sing, uninterrupted.
  • Thirdly, don't confuse your reader. Finding a treasure trove of words from say, the 1920s, doesn't mean your audience is going to understand what you choose to use. Make sure your target audience is going to grasp the meaning of your chosen slang. With historical, readers expect a different vocabulary, but again, don't use the most obscure terms you can find. And put it into a context that can lead the reader to its meaning. For instance, when I referred to my protagonist as a partier I used the term "liberally spifflicated." It's an old term referring to one being drunk, and one of my critiquers instantly picked up on it and actually enjoyed the use of it. 
  • Lastly -- and keep this in mind -- know you're not writing to be "Politically Correct." If this mindset sets in, then know that you're not really writing -- you're putting things on a page that a PC-populous would want from you. As writers, we need to respect the lingo of our chosen time period, no matter how offensive it would be viewed today. There was a reason for its birth -- don't squash that reason with your seat-shifting need to avoid it. If you're not comfortable with writing certain words, then perhaps you should change aspects of your story around in order to avoid them.
This final point brings me to a debate about which I recently read. As a writer, my hope is that through the years my work will be passed on from generation to generation. I'm sure Mark Twain had that in mind as well. There was an interesting article published on Entertainment Weekly's website concerning The Adventures of Huckleberry Finn debate. Basically, what the article states is that a new version of this wonderful novel will be published with the "n" word and the word Injun removed and replaced with the less offensive terms slave and Indian. There is the argument that this is a form of censorship. I believe Mark Twain had a purpose for writing the story as he did. Does that mean that years later a PC public should come along and change it just because we now view these words as offensive? You can read the article and responses and decide for yourself.

The Indian War Memorial monument
(2006) courtesy of Wikipedia
Another example I'd like to point out involves The Indian War Memorial monument at the center of the Santa Fe plaza. I bring this up because this is the first I've seen like it. Just so you know, I'm not condoning the use of derogatory or hateful language of any kind, especially this day and age. I'm simply stating that there is a reason why writers choose the language they place in their work.

If you've ever been to the monument, seen the inscriptions, and then read the plaque in front of it, then you've seen that some of the original inscriptions have been chipped away. It once read "Savage Indians", of which only "Indians" remains. It's been a while since I last visited the monument, but I also believe a couple other offensive terms have been removed (correct me if I'm wrong). Even so, should a monument, with an inscription that once reflected the charged, strife-filled atmosphere of Santa Fe, have its historical meaning removed in order to placate those who don't want a reminder of history staring them in the face? History is just that -- history. If we remove the words that created our world, simply because today we find them offensive, then how will we ever fully understand the past? As a historical writer that's exactly what I need to know in order to craft my story properly and bring a bit of what was once known to the world we live in today. Otherwise, we may just end up repeating that past so many others want to believe doesn't exist.

How about for you? Do you think The Adventures of Huckleberry Finn debate is a form of censorship? Or do you view it as minor corrections to a work children will read in their classrooms? Should we erase offensive slang of the past so as not to bring up the children of today in a world that still bears the scars those terms created? Can you think of other instances where either literary works or public inscriptions have been changed?

Just food for thought that I believe is worth munching on!

♥ Mary Mary

Thanks, for this lovely award, goes out to the The Blogger Formerly Known As and also over at Jennifer Lane Books. Stop by and show them some love! Perhaps I will pass it on at a later date, but I'm just unable to at the moment.








Stop by and see what I've got going on over at The Random Book Review!

Thursday, November 18, 2010

A Weekday Whisper

An Awesome Rating at The Written Connection!



 An extra helping of love was bestowed upon the Divine Sisterhood this week. Check out our awesome blog rating at http://www.uninvoked.com/writingblogs/wordpress/. Thanks a bunch for the fantastic 10/10 rating! 

We love all of our fans!!